Phonurgie
Francis Dhomont
Programme notes
To Inés Wickmann and her found objects
Phonurgie — “making, working, and creating sound” — presents, fifty years after the first gropings, and at the verge of the century under examination, one of the current states of this new art, which has become an independent art of sounds.
Unlike the other pieces in the Cycle, Phonurgie quotes no more than a passing subject of Schaefferian study, bringing the sound of this legacy to a close
While technology may have changed considerably and the “sound colour” may no longer be the same, morphological thought and writing still remain, in all of their many forms, true to the ‘spirit’ of the first “concerts de bruit” (Noise concerts).
— Francis Dhomont [English translation
Phonurgie — 4th of the 4 works in the Cycle du son — was realized in 1998 in the Syter studio of Ina-GRM (Paris, France) and at the composer’s studio, and it premiered on September 25, 1998 as part of the Inventionen ’98 festival (Berlin, Germany). The piece was commissioned by Deutscher Akademischer Austauschdienst (DAAD). Phonurgie won 1st prize at CIMESP 1999 (São Paulo, Brazil) and 1st prize at the 1st Concurso Internacional de Creación Electroacústica Ciber@RT (Valencia, Spain, 1999). In 1998 Phonurgie was included on the Inventionen ’98
Premiere
- September 25, 1998, Inventionen ’98
: Concert concret, 1, Parochialkirche, Berlin (Germany)
Awards
- Composer(s): Francis Dhomont
- Year of composition: 1998
- Cycle: Cycle du son
- Duration: 12:43
- Instrumentation: stereo fixed medium
- Publisher(s): Ymx média
- Commission: DAAD
- ISRC: CAD500114570
