This is the most abstract piece of the cycle; organic, synthetic, and musical materials are brought together into an ode to nature.
[English translation: François Couture, vii-21]
Into the forest I’ve seen under was developed over several years, then revised and finalized in 2020-21 at the composer’s studio in Montréal (Québec). A draft version was presented on January 11, 2018 at the concert L’élite numérique as part of the Ultrasons festival at the Salle Claude-Champagne of the Université de Montréal (Québec).