Vanishing Points emanates from a single acoustic sound source, a brush of drapery. The piece explores rhythmic and spatial inter-relationships and articulations, and is a focused study of how far I could go in extracting quite distant sonic elements (timbral and evocative) from audible and inaudible structural features of the starting sound.
- June 20, 2017, NYCEMF ’17: Concert 5, Playhouse — Abrons Arts Center, New York City (New York, USA)
This version is a stereophonic reduction of the 8-track original realized in September 2017.
- Instrumentation: 8-channel fixed medium
- Composer(s): Elizabeth Hoffman
- Year of composition: 2017